"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Nueng is driving one night with his wife, Dao, when their car hits a child who ends in a coma. In order to pay for the medical fees, he goes to a pawnshop, but whatever goods that he has are of little value. However, the owner of the pawnshop proposes to give him 1 million if he pawns his soul.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
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