Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

When Azubuike’s 12-year-old son moves in with him, the struggling shoe salesman finds himself balancing fatherhood and the slow collapse of his small shop. As the pair navigate their estrangement, the unspoken becomes a language of its own; one shaped by pride, duty, and the quiet weight of expectation. With the future of both the shop and their relationship hanging in the balance, father and son must find a way to bridge the distance between one another.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
This reboot of The Wonder Years is told from the lens of a Black man.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
A young girl named Hailey Mays sings a country song that is named after the film's title.