During a storm, Monique and Heiko find an uninvited guest on their allotment plot. The strange stranger has wings on his back and it almost seems as if he has fallen from the sky. Heiko falls under its spell and Monique has a thought: don't we all want to believe in a miracle?
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
