Caught between her middle-class background and her rich university friends, Urbi navigates a world of wealth and privilege. But as she chases her dreams, she falls into a life-changing chaos, paying a high price for her ambitions.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
The Vietnamese perspective is not only completely ignored in 'The Greatest Beer Run Ever', but it is blatantly whitewashed and disrespected.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
