Part of a long-term project of the same name, Oriental Silk is about touch and tactility, craft and value, and the colors of memory. The Oriental Silk emporium, located in Los Angeles, was the first Chinese silk importing business in the United States after WWII. Established more than four decades ago, the shop, which has risen alongside the Hollywood film industry, becomes a productive place to reflect on the astonishing histories of twentieth-century migration and to critique the idea of the American Dream. Through the worldview of the shop owner Kenneth Wong, the beauty of silk and its wondrous craftsmanship stand for the human pursuits that link people and places—and provide purpose—across time and borders.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
