“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

The day Sang-seok's friend and Mi-so's boyfriend Jeong-woo tries to kill himself, Sang-seok can't take it because he is worried about Mi-so. He spends the night with her because she's doesn't feel right and stops contacting Jeong-woo from that day on. A while later Sang-seok runs into Jeong-woo with Mi-so by his side and can't help but feel jealousy and betrayal. He realizes himself and Mi-so have been roaming around the same spot and writes a scenario about the two of them spending a night together and offers her the leading role. Will this movie starring Sang-seok who's always waited to be chosen and Mi-so who was a kid actress, bring them a special time?
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.