Orders to Kill (1958)

The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.

The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey. 

The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.