Fielder's "You Can See Everything" Asks Questions it Doesn't Have Answers For
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.

Ambitious violinist Dominika and her journalist husband Robert face a marriage in crisis - she’s drawn to a wealthy businessman, while he struggles to keep their family together. Assigned to report on miraculous pilgrim testimonies at the shrine of St. Joseph, Robert uncovers parallels between his own life and the silent protector of the Holy Family. As he reaches a crossroads that will decide his family’s fate, he must ask himself: can he rise to become a modern-day St. Joseph?
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.