
Masanori Igayama, who directed "Mito Komon Manyuki: The Counterattack of Toukuzaki," will direct the screenplay by Shinji Tsugei, who also directed "Ah Toyamaru," and Hiroshi Fukushima, who worked on "Itako Jowa Nagareboshi Sandogasa," will be in charge of cinematography. The performers include Ryunosuke Tsukigata and Saburo Akechi
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.