This Spokane-made first feature by Jerry Cook retains the charm and wit that made it a standout among regionally made films in the 1980s. The film depicts J. Jordan, a sort of ’80s Maynard G. Krebs/Rube Goldberg gadget-loving guy who quits his job as a bored and hassled local television news photographer to make a movie about a guy who quits his job to make a movie. Cook describes his film as “the TV dinner of movies ... it didn’t cost a lot, but it’s still pretty good.” Technically assured and full of heart, laugh-out-loud ambience and humor, and off-the-wall hipness, Cook’s debut will warm the hearts of anyone who has made, or dreams of making, a movie. “A clever comedy, well worth seeing.”—Ted Mahar, The Oregonian. “The film’s delightful atmosphere wins you over.”—D.K. Holm, Willamette Week
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
