An organ grinder (Orestis Makris) loses his wife from complications during birth. Distraught by her death, he refuses to take care of the baby and gives it to a family (Lavrentis Dianellos and Nitsa Tsaganea) to raise. The child (Jenny Karezi) is raised comfortably, and her natural father is too embarrassed to meet her - until she falls in love with a poor musician (Petros Fysoun), and her foster parents refuse to accept their relationship.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
'Selena: The Series' loses sight of the story's heart: Selena herself.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
