After suffering a career ending knee injury, pro-baseball superstar Jimmy Easton returns to a place he has not been in a very long time.... home. Here, Jimmy confronts dark memories from a tragic past as he tries to make peace with a life he once left behind. Things take an unexpected turn when he is forced back into the world of baseball as the coach of an underachieving college team.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
