"Marriage Story" is no "Kramer vs. Kramer"
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.