The Last of Us is Flipping the Script For Game Adaptations
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

Powerband Films presents On The Pipe, from Producer Jay Schweitzer of Crush and the MOTO XXX series in conjunction with Mike McEntire A.K.A Mack Dawg Productions, a new prodigy of film entertainment explodes into moto reality. Watch the heaviest crash of the year as Dan Pastor self destructs over 230 feet to flat and live to talk about it. Head to the Hills for an exclusive look at the first ever natural terrain contest "Ride to the Hills" with 150 foot hill jumps, hips and 160 foot step ups. Go back to where freeriding started in Reche Canyon and ride with Parsons and Twitch of huge step ups and the first ever wall ride. Witness Colin Morrison jump over a 150 foot moving train 5th gear. Travel to Mammoth for the last MX national in the Southern Sierra's. Check out the newest fun boxes and jibs in the biz at Jesse Olson's House. This 16 mm film has it all from racing to the best natural terrain ever caught on film.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!