Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Olağan Denemeler poster

Olağan Denemeler 

A question as old as the history of humankind: What does one live for? Why should we keep on living? Do we have the right to be unhappy about life after fulfilling the roles society has assigned us? According to our film's character Ayla, having no problem in her life does not mean everything is going well. Her monotonous life itself is a sufficient reason for committing suicide. Ayla who decides to take her own life somehow cannot succeed. Nevertheless she does not stop trying to kill herself.
- / 5
PopScore
Representation

Pictures and Videos

Incluvie Gala

Movie Information

A question as old as the history of humankind: What does one live for? Why should we keep on living? Do we have the right to be unhappy about life after fulfilling the roles society has assigned us? According to our film's character Ayla, having no problem in her life does not mean everything is going well. Her monotonous life itself is a sufficient reason for committing suicide. Ayla who decides to take her own life somehow cannot succeed. Nevertheless she does not stop trying to kill herself.

Rating:
Genre:Comedy, Drama
Directed By:Vasvi Çiftçioğlu, Doğuş Özokutan
Written By:
In Theaters:
Box Office:

Runtime:

Studio:

Cast

Director

Vasvi Çiftçioğlu, Doğuş Özokutan

Director

noImg
cast

Hatice Tezcan

Ayla

Articles You May Like

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood