The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

"Ni Coupables, ni victimes" ("Not Guilty, Not Victims") is a polyphonic conversation gathering the words of some of the protagonists at the European Conference on Sex Work, Human Rights, Labour and Migration, Brussels (2005). They speak of the complexity and nuances of the sex industry and their lives: the challenges and the struggles of being a sex worker in Europe today, the repressive policies affecting their lives, and the strategies of resistance enabling them to do their work, build their desires and plan their futures.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
Personalities clash and tempers fume in a family-run Chicago restaurant
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.