How to Make a Misogynistic Movie and Call it Feminist
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.

An exploration of the cultural phenomenon that is Northern Soul, charting how this movement has weaved and transformed itself musically and culturally through the decades. Northern Soul continues to re-invent itself more than any other music genre, remaining as vibrant and relevant today as when it first evolved. Features exclusive interviews with Richard Searling, Paul Mason, Elaine Constantine, Kev Roberts, Russ Winstanley, David Nathan, Wayne Hemingway, Dave Evison, Keith Gildart, Levanna McLean, Tony Blackburn and many, many more.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.