Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Chris Anderson and his wife Pam live a fairly normal life until Chris loses his job on the police force and secretly turns to robbing banks to make his wife's dreams come true. Upon discovering his secret, she joins his deadly crime wave and together they terrorize an unsuspecting suburban town.
Not every silence is empty. Some are filled with things too heavy for words.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.