Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Stuck doing show-biz schlock, an investigative reporter stumbles on a scheme to swindle pensions through an attractive gold futures scam, a potential news-story.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.