Parisian Rita Kato follows a letter from her friend Masao Sato to Tokyo, but discovers that a new tenant is already living at the sender's address, the slacker Takeshi, called Golgo after the contract killer protagonist from Takao Saitō's long-lived manga series Golgo 13. Apathetically, the two squats on each other for a few days until Rita sets off again and is bagged on the way back by the petty criminal Kiyomi in a stolen car. In the Tokyo swampland, the two meet Golgo again...
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Life may find a way, but is it worth testing its fierceness and how far it will go?
