This Is Not How You Start a Trilogy: “Hope” Gets a Nope From Me
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.

In the troubled night of Seoul on the verge of apocalypse, Niko, a penniless scriptwriter, works a part-time job as a companion for people who have lost their keys. When she can no longer satisfy her longing for true love in this once melancholic, sensual, and bustling city, she disappears. Her boyfriend Jeremy and their new friend Ji-eun start looking for the missing Niko and become entangled in a love triangle. At last, Niko finds a new, reckless, and ultimate way to express her feelings.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
This horror movie combines elements of horror and babysitting with Black representation.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Wanda and Vision are suffering under the stress of parenting their twin boys.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.