Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage - diving into the exciting, fast-paced world of first experiences - quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women - his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent's divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital - Oliver struggles to maintain his role as "man of the house" and his sanity.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Marvel’s animated show What If...? ended last week, so let’s go back and look at all of the different universes shown and rank each episode from worst to best!
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Whether you like cinema classics, sketch comedy, or science fiction, HBO Max has something for you! Check out our top picks for diversity and representation.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.