Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

A small town is being terrorized by a killer Bigfoot. One that is blood thirsty, vicious and kills without warning and without discrimination. A scientist by the name of Sarah Evan shows up to help the town's sheriff and his deputy girlfriend Roberta hunt this thing down and put an end to the killings. At the same time, Hunter Crawford is a thug-like character who along with his two henchmen, is hunting the creature himself, for his own personal gain and he does not care who he has to go through to accomplish his goal.
It’s dark, uncomfortable, and there are things that don’t make sense.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.