Fighting for your Life in 'The Survivor'
There's no hiding the horrors of war in this inspiring story of survival
Nia's Door
Nia from the Philippines works as a family maid in Taiwan. She prefers to stay in her private room, where a door separates her from her employers, but this upsets her employers.This is a story about being away from home.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Nia from the Philippines works as a family maid in Taiwan. She prefers to stay in her private room, where a door separates her from her employers, but this upsets her employers.This is a story about being away from home.
Rating:
Genre:Drama
Written By:Lau Kek-huat
In Theaters:
Box Office:
Runtime:25 minutes
Studio:
Cast
Articles You May Like
“Forbidden Fruits” (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
So You’re STILL Quarantined: ANOTHER 19 Movies to Catch Up on for Each Streaming Service
There is no such thing as watching too many movies. Since we're still quarantined, I wanted to recommend another 19 movies for people to check out across Netflix, HBO Max, and more.
'Jeanne Dielman' is an Exceptional Thriller of Second-Wave Feminism
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
"I Know What You Did Last Summer" (2025) Film Review-OH HORRORS...it's ANOTHER sequel, FAR more funny than frightening
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Huesera: The Bone Woman, and the Horror of Becoming
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night