New Human (2025)

‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart. 

The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.