'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Ivan, a headstrong and uncompromising teenager, sets off into the mountains to find a nautilus—a fossilized shell from his father's stories. He hopes that finding it will help him reconstruct his inner world, which he believes was destroyed when his mother 'betrayed' his father's memory by finding a new partner.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.