In 1940s Chicago, a young black man takes a job as a chauffeur to a white family, which takes a turn for the worse when he accidentally kills the teenage daughter of the couple and then tries to cover it up.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
It’s dark, uncomfortable, and there are things that don’t make sense.
WandaVision is already proving to be a huge success.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
