I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Walker Holt has big dreams for his tailor's shop, and an even bigger order to complete. Over the course of 24 hours he must work tirelessly to satisfy his new client's impossible tailoring needs. But as the night goes on, it's not just the trouser hems that start to fray as tensions rise and Walker's friendships and relationships are pushed to their limits. His success comes at a cost, but what price is he willing to pay? Lynette Linton (Blues for an Alabama Sky, Shifters) directs Michael Abbensetts' (Sweet Talk, Empire Road) era-defining drama, with additional material by Trish Cooke, in its largest ever staging. Celebrating this award-winning writer, the reinvigorated version of his seminal work illuminates the Guyanese experience of 1970s London and the aspirations and sacrifices of the Windrush generation.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.