If You Loved ‘Coco’, Give Lin-Manuel Miranda’s ‘Vivo’ a Watch!
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.

The monuments of ancient Egypt dominate her desert landscape. They remind the world of fabulous power and the wealth of a civilization that flourished thousands of years before the birth of Christ. Two obsessed treasure Seekers would devote their lives to uncovering the secrets Buried deep beneath the sands. One was a circus strongman, Giovanni Belzoni, who was drawn to Egypt's mystique and developed a passion for uncovering its secrets. The other, a stellar English archaeologist, Howard Carter, who was convinced the tomb of King Tutankhamen rested in the Valley of the Kings. He and his team worked ceaselessly for seven years to locate it and in 1922 they Unearthed the elusive tomb. Journey back thousands of years with these two famous archaeologists and then unmatched passion to bring Egypt's past to life.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
Keep scrolling to find names that should become part of your watchlist!
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.