'American Fiction' Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.

A man’s body is found in the suburbs of Tokyo. The dead man was hit by a car and his head beaten by the reckless driver after the accident. The dead man had a wife named Noriko. She likes fancy things and she has a lover named Tsukada. It's also learned that the dead man was insured for 300 million yen. The media and the public look at Noriko and her boyfriend Tsukada with suspicion, but they have perfect alibis. Then, Detective Hibiki, who is in charge of the case, and Private Detective Kono become involved in a series of mysterious murder cases.
American Fiction is a genuinely entertaining film with a few lessons.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.