Tom McHugh quickly learns that his perfect big brother Craig isn't all he's cracked up to be while on a night on the town with the girl next door, during which Tom is harassed by unpleasant strangers, threatened by mobsters, pursued by police, attacked by an irate florist, accused of murder, and has his date kidnapped—all because everyone thinks he's Craig...and the classic 1959 DeSoto Firesweep he borrowed off his brother has two dead bodies in the trunk.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
