On December 30, 2021, the worst wildfire in Colorado history rages through filmmaker Dewi Sungai’s community. A fire has been raging inside Dewi, too. Born to a young single mother on Indonesian soil, Dewi was adopted by white American parents as an infant, renamed “Amy,” and raised in white suburbia in the U.S.— a story her parents framed as a simple, happy story. But Dewi is noticing the cracks in their narrative. She realizes she is not, never has been, the daughter they see. Driven by a deep sense of loss of her culture, family, and land, Dewi discovers and reclaims her birth name, builds community with other transracial adoptees, and begins excavating stories from her Native Bornean ancestry. It pushes her relationship with her 83-year-old adoptive mother to the brink.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
There's no hiding the horrors of war in this inspiring story of survival
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
