
In this disarming and personal documentary, Gonçalves explores precisely what it is that is wrong with him. His physical disability is obvious, but doctors have never managed to provide a diagnosis. As he undergoes a series of tests, he paints a picture of his life today and looks back over his past, assisted by a vast collection of VHS videos, for which he sometimes provides commentary to explain the context.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.