Caught Stealing: New York, Crimes, Baseball, and Cat
The trainwreck is hot but tame.
My Home, in Libya
Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Filming in her grandparents’ home near Padova in Italy, the director identifies a map of places belonging to their past. Antonio was born in Libya when it was an Italian colony, and he lived in Tripoli where he married Narcisa. They were suddenly forced to leave the country in 1970 just after Gaddafi’s coup. With the help of a young Libyan contacted on social media, Martina collects images of her grandparents’ “hometown” today. As they exchange pictures and chats, their relationship grows, the web allowing them to slowly overcome the physical and cultural boundaries that separate their lives, bringing the audience into a world the media has no access to.
Rating:
Genre:Documentary
Written By:Martina Melilli
In Theaters:
Box Office:
Runtime:66 minutes
Studio:RAI
Cast
Articles You May Like
'Jack and Diane' Review: Wasted Potential
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
I Wish ‘Women Aren’t Funny’ was More Funny
All Hail The Queen of Basketball, May She Reign in Peace...and Win An Oscar
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics