Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

In 2018, Carole left a voicemail to the Harlem Veteran Project. In the voicemail, Carole stated that she wanted to document the remarkable life story of a senior citizen named Ingrid. Ingrid was born in Schnaittach, Germany, and she grew up during WWII. Ingrid’s story reveals the hardships she endured in WWII Germany and the challenges she faced while pursuing peace for herself and her children. Through Carole’s passion to document Ingrid’s story, Carole’s own struggles are revealed and a unique friendship unfolds between the two women.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".