Poetic fairytale about circus owner Liu Qingyun who has elephant show in southwestern border of China.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
