Parasite: A Para-Sight for Sore Eyes.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.

"Muscle Memory" is a conceptual nonlinear short film that follows Tariq, who makes his living as a hoofer like his late father Yayha. On the anniversary of Yahya's death, he dedicates a dance to him, which triggers childhood memories.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
There's no hiding the horrors of war in this inspiring story of survival
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.