Vivica A. Fox and Shemar Moore return for this thrilling sequel to Motives that picks up three years after the events of the original film. Innocent convict Emery Simms is serving time for a crime he didn't commit; while most convict's claims of innocence are shoddy at best, Emery has every reason to protest his wrongful incarceration. Meanwhile, in the outside world, Emery's ex-wife (Fox) has married his best friend and the pair is struggling to build a normal life together. When Emery is killed in prison and his brother Donovan (Brian J. White) discovers the truth about what killed his ill-fated sibling, his quest to cut through the complex web of lies and deceit which previously ensnared Emery threatens to bring about deadly consequences.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
A thief and street dog named Roger has to work with other pets to take down the evil Mayor Frank Stone when he plans to destroy Robo City.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
