On a Fun, but Bumpy, Road with Onward
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.

Rosario's husband and brother are out of work after being unfairly dismissed. To pay off their debts, they decide to kidnap their boss's body and demand a ransom. But Inés, the wealthy wife of the deceased, and her children have other plans. Despite belonging to completely different worlds, the two families will be forced to exchange much more than a body.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.