It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

Kenneth Blake is joined by his soon-to-be wife Sally Stephens as he takes a well-earned vacation in Goa, a beautiful town on the western coast of India. While in Goa, Kenneth meets Leela, a beautiful woman, and he finds himself drawn into an affair. As Kenneth tries to decide if he should throw away his relationship with Sally in favor of Leela, Leela confronts him with some surprising news -- she is convinced they are the reincarnation of two lovers who died together in a double suicide five centuries before.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.