Mono No Aware 

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.

‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”

The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch

Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.