Tang Seng, Sun Wukong, Zhu Bajie, and Sha Seng decorated the master and apprentice to Pansi Mountain, encountering the spider Jingxiao Qi and send it to home. Sun Wukong's eyes were hot, and he saw that Xiaoqi's mother and servants were changed by the goblin to get rid of the demon, but the Tang monk mistakenly thought that Wukong killed the innocent indiscriminately, and the master and the disciple broke up. Tang Seng and Wu Jing, who were not protected by Sun Wukong, were caught by the spider spirits into Pansi Cave. Fortunately, the kind-hearted spider Jingqi was rescued, but unexpectedly appeared suddenly after the crisis, and the war was triggered. At the critical moment, Sun Wukong came to join the battle, and everyone worked together to suppress the crisis. The four mentors and disciples continued to embark on the path of learning.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Starring Jake Gyllenhall and Yahya Abdul-Mateen II, 'Ambulance' is a film not only about a bank heist gone wrong, but also about brotherhood.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
