“Clayface” Does Not Save a Cat
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

Twenty-five-year-old Momo has friends. Her parents live some distance away, but they sometimes get together to dine out. She dates an acceptable guy, and they share drinks at home. She apologizes to unreasonable clients over the phone at work and hones her ability to keep things civil with coworkers at drinks after work. This perfectly ordinary life means Momo doesn't immediately notice a nagging feeling: "I want to die." For her, it's a phrase she must never say aloud. One summer, unable to bear the thought of the coming Monday, Momo takes a day off from work. She begins to visit other people who struggle with thoughts of suicide, but have discovered alternatives and choose to live instead. She connects with these "Papagenos" through social media. Over the course of her difficult journey, Momo herself begins to discover other choices beyond death.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
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