WW84: The World’s Strongest Female Lead
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.

"Close Encounters" is a TV show that features a controversial topic: an alien abduction case. Viewers will be taken on an emotional journey as scientists and experts debate and analyze a report from an alleged abductee. But not everything is what it seems! With the exception of one, the guests are actors hired to defend points of view opposing those of the only true ufology expert present on the program. As the show progresses, the discussion becomes increasingly fantastical and surreal. The guests begin to fantasize about the reality with immense innocence of what is about to happen.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.