‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

After his undocumented sister disappears amid escalating ICE raids and National Guard unrest in Los Angeles, a conservative Filipino man searches her apartment for answers, only to uncover a terrifying presence tied to the Aswang — a shapeshifting creature from Filipino folklore. As paranoia and guilt consume him, his desperate investigation spirals into a nightmarish confrontation with the monsters created by fear, division, and the false promise of the American Dream.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.