The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

After his undocumented sister disappears amid escalating ICE raids and National Guard unrest in Los Angeles, a conservative Filipino man searches her apartment for answers, only to uncover a terrifying presence tied to the Aswang — a shapeshifting creature from Filipino folklore. As paranoia and guilt consume him, his desperate investigation spirals into a nightmarish confrontation with the monsters created by fear, division, and the false promise of the American Dream.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.