Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

A loving show where Mick Øgendahl sits in Santa's sleigh and sees it all from above. Because the questions are piling up: Why do we suddenly have a tree in the living room, why do we drink hot red wine, why is it called a mouse staircase, and is the klejnen the most disgusting cake the world has ever seen? Mick Øgendahl has far from all the answers. But he takes you on a wonderfully confusing journey through the sweet Christmas season.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
A story of a magical dragon brings great representation for Chinese culture.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.