Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Bouncing between an unfulfilling personal and professional life, Tom Ford buys a virtual assistant. Out of the box, Marta leads Tom to choices he never imagined while selling him more products. Angered by his loss of privacy, Tom is about to discard Marta when something happens that changes his buying habits forever.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.