Parasite: A Para-Sight for Sore Eyes.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.

Hasan, who lives in a town in Anatolia, and his cousin Yusuf fall in love with a woman named Elif. Elif also falls in love with one of the two men, but she does not reveal to anyone which one it is. Just then, all men capable of bearing arms are called to the Çanakkale Front. Before leaving for the front, Yusuf decides to confess his feelings to Elif, telling her that Hasan loves someone else, and secretly takes the thyme-scented handkerchief Elif made for Hasan. Yusuf, Hasan, and the other volunteers set off for the front and encounter Karagöz Puppeteer Rüstem Çavuş, who is on an expedition with Istanbul-born Eftal. During this time, some of the volunteers are killed in an attack at Anzac, while Hasan, Yusuf, Çopur, Rüstem Çavuş, and Istanbul-born Eftal are taken to a prisoner-of-war camp.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.