"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

The story of the war film is about paths of the Estonian Shooting Corps (formed by the Red Army) during the WW-2 and how the fight forms an usual man to a loyal soldier. Ideologic aspects of the movie are more hidden than in ordinary Soviet war films but they're still existing.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.