Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy

There's trouble in Frankie Diomede's criminal empire in Genoa. A French gangster has moved into his territory, so he flies home to take care of business. He promptly has himself arrested so that he'll have the perfect alibi when the bodies start piling up. But it turns out his enemies have enough juice to keep him in prison, his associates start dying and the attempts on his life start. Cue Tony Breda, a wannabe wiseguy, who has a plan to spring Frankie from jail.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.